Tuesday, September 29, 2020

Tenet film review

What seems like ages ago in the future we went to see Tenet the first Saturday in September.  Time flies when you're having fun. 

There's this thing, right, that weaponises time so that bullets reverse fire and bombs unexplode. Cars go backwards too. Mostly stuff goes forwards, though, but sometimes in the past the future happens at the same time. And if you're from the future you'll need to wear an oxygen mask now. 

Got to be careful not to bump into your past self when you drop in from the future, as you may end up having a scrap with him [you]. And be sure not to kill your grandparents, as then you may not get born in the future to kill them and that will change the past. They do things differently there.


There was an explainer in The Times the other Saturday. Explained that the science behind the film wasn't too facty. With my grade 5 CSE Physics, I think I got that.

Kenneth Branagh is a Russian baddie, Andrei Sator. Bit of a megalomaniac. Dying. No going gentle into that good night for him. Going to take the world with him by nuking the time travelling widget. This is a cause of some domestic tensions with his wife, Kat, a willowy blonde played by Elizabeth Debicki. Basically reprising her role in Night Watchman. Sator probably should have discussed it with her first. Would have been OK, then. 

Anyway, good job The Protagonist (John David Washington) is on hand to save the day and set things up for a sequel. Spoiler, the world doesn't really end, yet. 

If you find criss-crossing, time-shifting narrative arcs confusing, this one's going to do your head in. Like Inception, but not as much as Little Women

Now for the hidden theological message bit. The future invades the present, now and not yet. 

All clear now? 

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