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Showing posts with label C. S. Lewis. Show all posts
Showing posts with label C. S. Lewis. Show all posts

Monday, July 01, 2019

C. S. Lewis: A Life by Alister McGrath

Hodder, 2013, 431pp

When C. S. Lewis died on 22 November 1963 his passing was overshadowed by the assassination on that same day of US President Kennedy. Even the UK media gave scant attention to the life, achievements and death of one of the key Christian voices of the 20th century. By the end of his days Lewis was in danger of becoming a forgotten man. It perhaps seemed that interest in his writings would dwindle, as sometimes happens with authors who have their moment, and then largely fade from public awareness. 

That was not the case with C. S. Lewis. There has been a revival of interest in both his life and works in recent years. In the Christian world, Tim Keller for one has championed Lewis's approach to apologetics. In the wider culture the Chronicles of Narnia are still much loved children's stories, with adaptations by the BBC and several Hollywood films based on the books. Shadowlands starring Anthony Hopkins explored Lewis's relationship with Joy Davidman. 

Many people are aware of at least the barest outline of C.S. Lewis's life; Ulsterman, Oxford scholar, the Inklings, Mere Christianity, Screwtape, Narnia, the Davidman affair and all that. In this excellent biography Alister McGrath helps to fill in the gaps, bringing Lewis to life as a brilliant, if flawed human being. McGrath is well qualified to write this life, hailing as he does from Northern Ireland, an Oxford Academic and theologian to boot. In preparation for this biography the author read Lewis's vast correspondence in chronological order, which proved an important source of insight. 

In McGrath Lewis has a sympathetic, but by no means uncritical biographer and one who is not afraid to challenge conventionally accepted aspects of the Lewis story, even those propounded by the man himself. A close reading of Lewis's letters leads McGrath to propose a revised chronology of his subject's conversion experience. All to do with bluebells, apparently. Lewis's relationship with women as it emerges in these pages was a bit odd, from Mrs. Moore, to Joy Davidman, whom he married to enable her to remain in England rather than return to America. Yes, they fell in love later, but still. 

As a young man Lewis turned his back upon Ulster Protestantism and became an atheist, confirmed in his unbelief by his experiences as a soldier in World War I. But his atheism left him feeling unsatisfied. While lecturing at Oxford Lewis came to believe in God and then under the influence of his friend J. R. R. Tolkein he came to see that Christianity was the 'true myth' that helped to make sense of the world. By June 1932 (according to McGrath's chronology), Lewis became convinced of the deity of Christ when travelling by bus to Whipsnade Zoo. 

Lewis's initial attempts to convince others of the truth of Christianity were of a highly intellectual variety, exemplified by his books, The Pilgrim's Regress and The Problem of Pain. He found a more popular audience for his reworked BBC Radio addresses published under the title Mere Christianity. Although an Anglican, Lewis had little time for denominational labels and devoted scant attention to doctrinal disputes. The Chronicles or Narnia were an attempt on Lewis's part to show his readers the truth of  Christian faith by appealing to their imagination rather than by the use of rational argument. McGrath is insightful on the genesis of the Narnia stories and how Lewis used them to convey key aspects of the Christian message, especially through Aslan, the Christ-like hero of Narnia. 

C. S. Lewis, was, of course an academic and McGrath describes some of the tensions and difficulties Lewis encountered at Oxford University. While he produced some solid academic works in the field of English literature, fellow academics appeared to dislike Lewis's Christian faith and resented the attention he attracted as a popular apologist. Hence the move to Cambridge later in Lewis's career. 

20th century evangelicals seemed to have viewed Lewis with some suspicion. McGrath cites D. M. Lloyd-Jones's view that he was 'unsound on a number of issues, chiefly relating to the doctrine of salvation'. No doubt those looking for doctrinal instruction shouldn't make Lewis their first port of call. We can go elsewhere for that. Lewis's life story is testament to the fact that the believer is at one and the same time 'righteous and a sinner'. 

Lewis's use of the imagination in apologetics has much to recommend it. Many parents (us included) have read some if not all of the Lewis's Narnia titles to their children. Enduring interest in the Chronicles of Narnia gives the church a point of contact with the culture. At a time when the Christian story is fading from public consciousnesses in the West, the magnificent figure of Aslan, especially in his substitutionary death and resurrection acts as a signpost to the Lion of the Tribe of Judah. 

Alister McGrath has given us a fine introduction to the life and writings of C. S. Lewis. Well worth a look. 

Thursday, December 23, 2010

The Voyage of the Dawn Treader: Aslan's other name is Jesus

Yesterday we headed off to Salisbury for a bit of Christmas shopping and to see the latest Narnia film, Voyage of the Dawn Treader. I think the White Witch must have cast an evil spell over the cinema as it was almost as cold inside as out. Hopefully it won't be a case of 'Always winter, but never Christmas'.

The film was well done and was a more faithful adaptation of C. S. Lewis' book than Prince Caspian. We opted for the 3D version, but I'm not sure that the format added much to the film. When the 3D effect is obvious it looks unreal and when stuff doesn't seem to protrude from the screen, you think, "What's the point in paying extra for this?" It worked best during the storm at sea scenes when water appeared to spray the audience.

The film was acted well and beautifully realised, with some good special effects. The sea serpent looked suitably terrifying. The story's Christian message was not downplayed. At one point Lucy asks, "Without faith, what do we have?" Lucy and Edmund have to battle against temptation in different forms. In a kind of conversion event, their cousin, the obnoxious Eustace's life is transformed  on encountering Aslan.

Towards the end of the film, Aslan informs Edmund and Lucy that they will return to Narnia no more. Lucy asks him if he is present in her world back home. The lion replies,

"I am ... but there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there."

The line is a reminder of Lewis' intention in bringing his readers into the imaginary world of Narnia, that through the Aslan figure, they might get to know the One who died for undeserving sinners. Liam Neeson, the actor who provides Aslan's majestic voice recently said, "Aslan symbolises a Christ-like figure but he also symbolises for me Mohammed, Buddha and all the great spiritual leaders and prophets over the centuries.That’s who Aslan stands for as well as a mentor figure for kids – that’s what he means for me."

However, those who knew C. S. Lewis best flatly deny that, saying the author could not have been clearer. He wrote that the "whole Narnian story is about Christ”. Jesus Christ, the lion of the tribe of Judah is Aslan's "other name", Matthew 1:21, Revelation 5:5-7.