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I've dipped into Residues many times over the years, but had never read the collection in order from cover to cover before. There are only seventy poems in the set and many of them are quite short, amounting to no more than eight or ten lines of text, sitting in isolated splendour at the top of an otherwise blank page. Several are more expansive page-fillers, but on the whole R.S. was austerely economical in his use of words, especially in his later works.
Reading poetry is different from prose. Unlike the generous limpidity of prose, poems require careful thought and meditation before they will yield their meaning to the reader, and then perhaps not. It's slow work, which, for a generally fast reader involves something of a struggle to adjust to a more ponderous pace.
Watching is the first poem, 'Are they happy?' asks Thomas. They appear to smile from a distance, but on closer inspection no one escapes misery and suffering in this fallen world. Just the job for reading on the beach. Not that Thomas is without humour, if of a grim kind. In Postcard he speaks of the runner from Marathon, 'his time unsurpassed until the arrival of steroids.'
He writes of marriage and 'love's shining greenhouses'. In Repeat, the widowed poet ponders the experience of falling in love again and of the 'gold throne' of renewed matrimony, in which he took his place 'as in an electric chair'. The most touching and heartfelt poem in the collection is Comparisons, was written in memory of his first wife,
To all light things
I compared her; to
a snowflake, a feather.
There is no point in visiting the seaside without having a dip in the sea. The water was pretty cold to begin with, but I soon got used to it and swam virtually the width between two of the many groynes that dissect Bournemouth beach . Dried off. Had a Mr Whippy 99 ice cream.
R. S. Thomas was a Church in Wales clergyman and a number of the poems in Residues touch on God and faith-related matters. In Watching he reflects that no amount of distance will turn the Maker of this sad world's 'wince into a smile'. He watches us from behind the 'cross that is the astigmatism in his vision'. On occasion Thomas feels that his faith 'was a plank to narrow for me to tread.' (Space Walking), while in other poems he conceives of prayer as so close to God 'as to open a crater in his composure'. (Launching a Prayer). It is certainly the case that the Lamb that was slain is in the midst of the throne. God's sovereignty is mediated through the Man of Sorrows. Yet, the cross shows that our Maker does more than wince at the pain of this sad world. He has acted in Christ to rescue the world from sin, sorrow, and death, and give us hope.
It was hot enough in Bournemouth on Monday, but nowhere near as hot as the Algarve where we holidayed earlier in the month. But after spending several hours on the beach I fancied a wander. We took our stuff back to the car and headed for the pier. Didn't realise that you had to pay to enter, so we didn't. Had a fish and chip supper at the 'World Famous' Harry Ramsden's chippy. Good, but we thought that Champions at Westbury is better.
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Maybe that's why so much of the Bible is written in poetry. As Thomas said,
...Poetry is that which
arrives at the intellect
by way of the heart.
('Don't ask me...')
Residues R. S. Thomas, Bloodaxe Books, 70pp, 2002
3 comments:
Strewth Guy, a trip to the beach with you must be a barrel of laughs. Couldn't you have taken a cricket bat instead? :-)
Didn't think of that.
You're obviously not a Lloyd-Jones man; if I remember correctly he would take a volume of the Bampton lectures for beach reading.
I have to grit my teeth whenever I hear the intellect/heart dichotomy. Biblically, the heart is the organ of thought (e.g. Prov 23:7).
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